Interruptions

Big projects have one inherent problem - they take so much time that they are inevitably interrupted while in progress. Right now I'm sewing some patchwork Christmas gifts, which have the disadvantage that I can't show photo proof/eye candy, just in case. I already sewed a wool cloak, dark blue, for a medieval costume event. As it's very plain, any photos would be boring. I will sew the dress for the event after Christmas; the gowns I have so far are suited for warmer weather, and the upcoming event is in January, so I do want something warmer than I've had. Again, no photos.

General Christmas preparations are also a major interruption. I plan to spend time next week decorating and baking; then Christmas cards need to be written. After all, I love to get mail, so I have to produce some in return or advance, whichever.

Quilt sewing just may get postponed into January...

Pre-quilting

There are differing opinions on the subject of whether or not to prewash fabrics before sewing them into patchwork. Some claim that their works look better if the fabric is used as new, especially if they don't ever intend to wash them. I belong to those who think that there are at least two important reasons to wash any fabric before cutting and sewing it: possible shrinkage and bleeding.

Even if shrinkage may not seem much on a small individual fabric piece, it does add up, and using strips in various directions may result in uneveness - fabrics shrink more vertically than horizontally. Even if I'm sewing a wall hanging, I want to know that I can wash it if necessary without any detriment to its shape.

Bleeding is even worse - one fabric that is not colourfast can ruin all of the others. Who's to say that some raindrops or a splash of water will never hit the surface even if the quilt does not get washed? (Murphy's Law would warn us that it will surely happen!) Most batik fabrics and some others lose surplus colour when washed and rinsed and can be used afterwards. But on occasion, as happened to me yesterday, a fabric still colours the water after numerous rinses - and I therefore eliminate it from my choices for this quilt. It's not worth the effort I put into sewing and quilting to have it ruined by one or a few pieces.

I spent several hours last evening ironing all the pieces I washed yesterday, and discovered another good reason for preparing the fabrics - it helps me get an overview of all that I have and gets me into the mood for cutting and sewing. I really enjoyed my ironing session - additionally made more entertaining by watching "Mansfield Park" on DVD while working.

Now everything's ready to go, and I can carry on cutting and sewing the over 3000 pieces of which this quilt will be composed.

To compete or not to compete

I enjoy challenges - in this particular case I mean the quilt challenges that are set by magazines, organisations, etc. I love thinking about a topic and finding a way to make something that is in character for me while working with the theme.

Some challenges are by their very nature beyond my abilities - geographically, by skill level, by deadline. I haven't been particularly successful with those that I have entered so far, yet I keep trying. So the appearance of the Patchwork Guild's new quarterly magazine, with three challenges for its coming 25th anniversary, interested me greatly. At first I thought about the possibility of making a planned project work for the theme of "25", but then I realized that I couldn't possibly finish that big project on time for the deadline. I will therefore work on it as planned for next year, when the triannual juried exhibition is open for entries.

Then I thought about the possibilities of making something on the theme of "25". I googled the number, finding out interesting and potentially usable ideas like the 25th birthday of Tetris (that would make a fun geometrical quilt!) and the fact that Pachisi comes from the Hindi word for 25 - I could envision a Pachisi quilt. A couple of other connections occurred to me late in the evening, and I went to sleep wondering which one would fascinate me enough to get made.

I woke up knowing exactly what I was to do - nothing! Making a quilt on a theme that has nothing to do with me would only bind up much time and energy that I could more profitably use for making one of the projects I've planned for a long time.

I did find another competition for which I will make something - a quilt shop in south Germany is celebrating its 15th anniversary with an exhibition. The quilts are to be 15 by 15 cm - that's only 6 square inches. I can do that in a relatively short time, and I thought of an idea that connects with me. My daughter lives in that city in southern Germany, and the idea has to do with her childhood drawings and with a museum in that city. Besides, it's something that will be lots of fun for me, just the kind of fussy miniature that I love to do, and playful as well.

So to answer my title question - both.

Rip van Quilter

Lost time: thinking about redoing a page of my book has me pondering the reasons. Is it unnecessary perfectionism or artistic integrity? As far as I'm concerned, it can be either - and probably a number of other things besides.

There are times when a mistake shows up too late to be fixed, or when the work involved or the amount of material needed for a fix would be prohibitive. Then it can be accepted with a philosophical sigh and shrug, called an "Amish imperfection", and left that way. Alternatively, it can be declared a "design decision" and made part of the whole work, perhaps even improving the original idea. Or it can cause such a negative reaction that the unfinished piece gets put away, never to be completed.

There are times when I swallow my perfectionism and realize that nothing I make will ever be absolutely perfect. Then there are other times when I perceive that something is so wrong that it needs to be changed in order to be what I meant it to be. This is such a case. I didn't see it coming when I was working on the pages - or rather, I did have a vaguely uncomfortable feeling, and ignored it. It took the photograph - the distance create by looking at it that way - to show me what was wrong. Fortunately, though it will take several hours to redo it, it's not too late. It will be worth the extra time because it will show what the poem means to me at that point. In this case, that is necessary for artistic integrity.

Back to the drawing board...

Stitches in time

P.S. concerning San Francisco and fabric: I found "Far Out Fabrics", but nothing was there that I liked well enough to buy. A problem I had in all the fabric stores I checked out - none of them were willing to cut less than 1/2 to 1 yard of a fabric. I want lots of different material for piecing strips etc., so I have to really like a fabric to be willing to buy a greater amount. As a result, I brought along only three small scraps from the remnant bins of a couple of stores. One store in downtown SF did impress me - "Britex" has four floors of fabrics and accessories. Without something specific for which to buy, I was overwhelmed and left without purchasing anything.

I have continued work on my fabric book and now have some pictures of progress to show. The road has kept me busy for many hours; I had originally planned to paint it, but then found a flagstone fabric that is absolutely perfect. I made a pattern so that the road would continue from page to page, then cut out iron-on batting plus the fabric, which I basted onto the pages, then sewed on by hand.

Next step was machine quilting around the stones, which gave the 3-D effect I wanted. I'm very pleased with the way it looks! The first photo shows the difference between the road with and without quilting. The next ones show the pages sewn together; lots of hand sewing remains to be done for the details, but first I will sew the reverse side so that I can finish all machine work.
























































Actually, I'm not pleased with the connection from the fifth to the last page - there's a break there. The poem does ask where the road will go, but my rainbow of possibilities on the last page doesn't connect with the road. I will probably rip the second-to-last page and re-do the road to make it fit. Lots of work, but then, I wouldn't be a patchworker if I weren't willing to work for the best possible result!

My patchwork Hobbit hole

The title page for my fabric book "The Road Goes Ever On" is basically completed now, as far as sewing machine work goes. I will now patch the poetry pages and sew them all together before doing the hand sewing details - buttons, embroidery, and some fluffy grass, plus a bit of hand quilting, will finish off my hobbit hole. When the pages are all together, I will also sew the road onto them, so that it continues uninterrupted from page to page. Final photos will be forthcoming in a few days, I hope. Here is what I've done so far:

While I'm working on the title page to my next fabric book, here are two more past projects. Like many quilters, I'm very partial to star patterns. The first is a miniquilt titled "Rainbow Log Star", made of log cabin blocks. The second is my interpretation of an aboriginal dot painting in an unusual color combination; my quilt wall hanging is called "Milky Way Memories". It reminds my of the starriest night I have ever experienced, in the darkness of outback Australia on my memorable trip there two years ago.

The two quilts are very contrasting in method and colors: one bright and colorful, a stylized individual star; the other almost naturalistic, with the dark blue sky and lots of tiny stars.

Paper Pieced Pillowcases

Continuing my show of past patchwork projects, here are two coordinated sofa pillowcases that I made as a gift last year:























Both are designs by Linda Causee, from this book:

My first fabric book

While I am waiting for administrative approval of my application for membership on the new textile arts forum Stitchin fingers I will post pictures of the fabric book I made last year. I took a class, taught by Christiane Kühr, at the annual Patchwork Guild conference in Berlin and enjoyed it very much! I had already been fascinated when I read her article on the subject in Patchwork Professional magazine and had decided to make my favorite poem from Tolkien's Lord of the Rings the subject. I ended up changing plans somewhat and using the cover with Tolkien's picture for a scrapbook which I take with me to Tolkien events and when meeting friends. It's a good place to keep my commemorative pins from various occasions (including seeing the Hobbiton movie site in New Zealand!). Since the pages are quite stiff, it is easy to have people sign them, draw on them, and of course embroider or sew on them.



I took my pictures and the poem which I had set up on my computer to the copy shop which then printed everything on my fabric. I have since then printed directly onto T-shirt iron-on paper myself, which works the same way. The finish is stiff and shiny, like plastic, which is fine for the purpose - though it does have to be ironed with care.



The cover is softer than the pages, with a thick layer between the visible surfaces. I decided to go for a clean look, so sewed the layers right sides together, then turned them. I allowed for additional thickness with more fabric for the spine; until it is needed, it's laced to hold it together.





The pages are backed (both sides) with a very stiff iron-on facing. I sewed them right sides together as well, leaving the side for the holes open for turning. I then sewed a sturdy twill tape to that edge to finish it and give stability before punching holes and eyelets into it. I sewed matching cords to the cover spine, which go through the holes and are tied together at the top. I also used my sewing machine's embroidery stitches to embellish and stabilize the page edges.



I like the loose-leaf principle for a book like this that is used as a scrapbook. It gives me the option of adding pages in time, as needed. I am currently working on a family scrapbook along the same line (which will be a gift, so I can't show it until after the occasion).

Blog Reloaded

This blog began as a travel report, coupled with a weather theme. Now I am changing the emphasis. The name I chose for myself back then - RainbowCatcher - already hinted at my interest in fabric arts, especially patchwork and quilting. Since blogging has become such an important means of communication in the world of creativity, I am now setting this up to be my patchwork blog. I will show pictures of my work; talk about projects past, present, and future; and hopefully exchange comments with other quilters.

Good-bye, "I weather the weather"; hello, "Sewing Rainbows"!

More to come soon.